biography (3)

R.I.P.

Michael Wright is rapidly becoming the most recognised player of the Jew’s harp in the United Kingdom today.

His expertise with playing this melodic, uncommon, yet historically important musical instrument is stretching the repertoire to its limits, both as a folk accompaniment and as a classical centrepiece.

His research into the social history of the instrument is ensuring that the full scope of the Jew’s harp’s contribution to trade and entertainment is recorded.

And his enthusiasm and talent for performing, including comedic interludes, well-known and seldom-heard songs, is helping secure Michael Wright a place in the English folk music scene.

His workshops have been described as ‘fantastic!’, and he was called the ‘King of the Jew’s harpers’ by John Campbell, while his playing on the ‘Des ‘n’ Mel Today’ TV programme was described as “amazing” by Des O’Connor himself!

* BIOGRAPHY
* ABOUT THE JEW’S HARP
* SELECTED WORKSHOPS, GUEST APPEARANCES
* ARTICLES & PAPERS

BIOGRAPHY

Michael Wright is a tradition bearer, taught to play the Jew’s harp by his brother, John Wright, who was himself inspired by the great Scottish player, Angus Lawrie of Oban.
Michael has played at various folk festivals, from Sidmouth to Whitby, and at the National Folk Music Festival.
He was a winner of the ‘Bob Bland Trophy’, competing at the prestigious Rothbury Gathering of 2003, and was the first player of the Jew’s harp to perform in concert at the Galpin Society and American Musical Instrument Society Annual Conference, August 2003.

At present, Michael is developing new multi-media talks and planning his debut CD. He is also looking to organise an Association with the aim of raising the profile of the Jew’s harp, including the UK’s first conference devoted to the instrument, to take place in Oxford in 2006/7.
Here, archaeologists, musicians, and ethnomusicologists will be brought together to study the historic significance and versatility of this important musical instrument.
Back to top of page
ABOUT THE JEW’S HARP

Up to the beginning of the 20th century, the Jew’s harp was undoubtedly one of the most popular musical instruments around. Manufacturer evidence shows that literally hundreds of thousands were made each year in the UK and Europe, and literary references consistently note that every child had one.

‘Jues Harpes’ or ‘Jues trumpes’ (1481) are the oldest names found for the musical instrument, which became known as the Jew’s, or jaws, harp – amongst others (see ‘Penning the Air’ article. Today knowledge of the Jew’s harp is limited, and misconceptions are rife. As a performer, researcher and teacher, Michael Wright is leading the resurgence of interest in this underrated musical instrument.
Back to top of page
SELECTED WORKSHOPS, GUEST APPEARANCES

Winter 2006/7- recording of CD

August 2006 – Whitby Folk Week
Illustrated talk, workshops and performances with Lucy Wright

July 2006 – Munneharp 2006
Performances with Lucy & John Wright
Elected as member of the Board of the International Jew’s Harp Society

May 2006 – Keith Summers Festival
Performances with John Wright (KentFolk site)

April 2006 – Morpeth Gathering, Northumberland
Performances

February 2006 – Pindrop Concert, Oxford
Performance with Lucy Wright

December 2005 – Elected Chair of the National Council of the English Folk Song and Dance Society

November 2005 – Re-elected as member of the National Council of the English Folk Song and Dance Society

August 2005 – International Council for Traditional Music Conference, Sheffield
Illustrated paper

May 2005 – Bate Collection, Oxford
Illustrated lunchtime talk

April 2005 – Morpeth Gathering, Northumberland
Illustrated talk, performances.

September 2004 – Sheffield University Archaeological Society
Illustrated talk

August 2004 – Whitby Folk Week
Illustrated talk, Workshop and quiet instruments session

July 2004 – Sidmouth International Folk Festival
Illustrated talk and Workshop

July 2004 – Warwick Folk Festival
Illustrated talk and Workshop

July 2004 – Cleckheaton Folk Festival
Illustrated talk and Workshop

May 2004 – Holmfirth Folk Festival
Illustrated talk and Workshops

April 2004 – Morpeth Gathering, Northumberland
Illustrated talk, Workshop, performances and quiet instruments session

March 2004 – National Folk Music Festival
Illustrated talk

August 2003 – Waltham College Chapel, Oxford
Concert performance for the Galpin Society, the American Musical Instruments Society and the International Council of Museums international committee for musical instrument museum curators

August 2003 – Whitby Folk Week
Workshop and performance

July 2003 – Rothbury Gathering, Northumberland
Winner of the ‘Bob Bland Trophy’

May 2003 – Oxford Folk Club
Featured guest

May 2003 – BBC Radio Oxford
Guest on the Dominic Cotter afternoon show

May 2003 – ‘Today with Des ‘n’ Mel’, Carlton TV
Interview and performance with Des O’Connor

April 2003 – Morpeth Gathering, Northumberland
Workshop and performances

April 2003 – The Musical Traditions Club, London
Main Guest

November 2002 – Elected as member of the National Council of the English Folk Song and Dance Society

August 2002 – Broadstairs Folk Week
Workshop

August 2002 – Whitby Folk Week
Guest performance at the Northumbrian Evening and Men’s Concert

April 2002 – National Folk Music Festival, Kegworth
Guest performer with John Wright

August 2001 – Whitby Folk Week
Performance and workshop titled, ‘The melodic Jew’s harp’
Back to top of page
ARTICLES AND PAPERS

For 2006 – Folk Music Journal
Submitted article ‘The Jew’s harp and the Law’

For 2006 – Journal of the International Jew’s Harp Society
Submitted article ‘Trump manufacture in the West Midlands – Part One: 1800 to 1900’

For 2006 – Journal of the International Jew’s Harp Society
Submitted article ‘Food, drink and Jew’s harps revisited’

For 2006 – Journal of the International Jew’s Harp Society
Submitted article ‘Jolly Companions every one’

August 2005 – International Council of Traditional Music conference, Sheffield
Illustrated paper

Spring 2005 – Journal of the International Jew’s Harp Society
Published article Jue Harpes & Jue Tumpes, 1481

Spring 2005 – Journal of the International Jew’s Harp Society
Published article ‘Jews Trumps and their Valuation’

Spring 2005- Journal of the International Jew’s Harp Society
Published article ‘The Mystery of the Jews harps and St Kilda.’

June 2002 – eds magazine
Published article ‘This insignificant instrument’

July 2000 – Traditional Music Maker magazine
Published article, ‘Jew’s harp – questions and answers’

May 2000 – The Living Tradition magazine
Published article, ‘Jew’s Harp -The Fool’s Instruments’
Back to top of page
BOOKINGS

Michael Wright is available for performances, interviews, or participation in folk workshops.

To book Michael, please contact:

Michal Wright
77 Beech Road, Wheatley, Oxon OX33 1UD
Tel: 01865 872161

“Bibliography”:

“Acknowledgements”:

http://jewsharper.info
Read more…
R.I.P.
Kongar-ol Ondar

Ondar

Ondar was born in 1962 near the Hemchik River in western Tuva, within sight of the ruins of the Chadaana Buddhist Monastery destroyed by the communists in the 1930's. Ondar's epic saga would converge around his singular vocal gift to make him Tuva's musical ambassador to the world. As a child, he was taught the fundamentals of throat-singing by his uncle. "Throat-singing is a tradition of Tuva that is very old," Ondar recently remarked. "it is inspired by the beautiful landscape of Tuva, which is full of sounds -- the windswept open range with grazing livestock, the mountain forests full of birds and animals and the countless streams tumbling out of the mountains onto the open range to form mighty rivers. Our throat-singing has been passed down for countless generations. It is the immortal part of ourselves.

By 1980, after finishing his primary education, Ondar had already begun his career as a professional vocalist, employed by the Tuvan House Of Culture. He later became the MC and featured singer with the popular local group, the Cheleesh Ensemble. In late 1983, Ondar was drafted into the Soviet Navy, which seemed blissfully unaware that its young recruit hailed from an entirely landlocked country. While stationed on Siberia's Kamchatka Peninsula, he suffered a broken neck while loading hundred pound bags of sugar and, after 45 days in sick bay, was honorably discharged.

Returning to his native land, Ondar studied at the Kyzyl Pedagogical Institute and became a Russian language teacher. The haunting music of his homeland, however, was never far from his heart and mind. "As I am a Tuvan, I believe that throat-singing is in my blood," asserts Ondar. "When I was a boy, I would go every summer high into the mountains to stay with one of my mother's uncles. There, in the evenings in the camp, I would hear the old man sing to himself. He would have a few drinks of arak -- the local brew made from fermented goat's milk -- and sing two, three or even four notes at once.

Later, at school, I sang and sang and sang, until I got it, too." It was from such rich recollections and deep cultural roots that Ondar determined to make throat-singing his life. In 1985, he formed the Tuva Ensemble which, defying official displeasure, began performing concerts both in Tuva and in neighboring Soviet republics. By the early '90s Ondar's reputation had begun to take on an international scope, first with a series of well-received performances in Europe and then as the winner of the UNESCO-sponsored International Festival of Throat-Singing. A year later, after a hugely successful tour of the Netherlands, the Tuva Ensemble recorded their first album, Tuva: Voices From The Land Of The Eagle (on the independent PAN label). Small wonder that, in 1992, he was honored by his grateful nation with the title of People's Throat-Singer of Tuva. Ondar's odyssey had only begun. As word-of-mouth about this remarkable vocal style and its prime practitioner began to spread among a select group of savvy musicians,

Ondar found himself in demand for a diverse range of globe-spanning projects. In 1993 alone, he performed and recorded with The Kronos Quartet, for their album Night Prayers; Ry Cooder, as well as Frank Zappa, the Grateful Dead's Micky Hart, The Chieftains and Johnny "Guitar" Watson. Ondar was also a special guest at a command performance in New York City, sharing the stage with a troupe of Tibetan Monks and Japanese avant garde pioneer Kitaro.

In 1994, Ondar joined forces with San Francisco artist Paul "Earthquake" Pena to record a groundbreaking blend of throat-singing and blues, aptly titled Genghis Blues. He subsequently went on tour with Pena, and after returning home, sang for an august audience that included Tuvan leader Sherig-ool Oorzhak and former Russian Federation President Boris Yeltsin, who afterward named Ondar a National Artist Of Russia. It was a far cry from the days when the authorities all but banned throat-singing in the Soviet Empire. Additional accolades, awards and albums followed, including the 1995 release Echoes Of Tuva and appearances at San Francisco's Asian Art Museum, the Japan Society in New York and the Korea Society Center at the Kennedy Center in Washington DC.
http://www.ondar.com/
Read more…
R.I.P.

Leonardo FUKS : curriculum vitae

Leonardo FUKS : curriculum vitae
Curriculum vitae of Leonardo Fuks, Ph.D.


Leonardo Fuks,

born in 1962, Rio de Janeiro, Brazil.

Address: Av. Osvaldo Cruz 112, apto. 801, Flamengo, 22250-060, Rio de Janeiro, Brasil

Rio de Janeiro - BRASIL

Telephone: + 55 (21) 5511582 ; Fax: +55 (21) 5514723

Undergraduate Education

* Mechanical Engineering - Federal University of Rio de Janeiro - UFRJ 1980-1987
* Music (Oboe Performance) - State School of Music and Fine Arts of Paraná 1986- 1987
* Music (Oboe Performance) -University of Rio de Janeiro-UNIRIO - 1987

Graduate Education

* Production Engineering M.Sc.- Federal University of Rio de Janeiro - UFRJ - COPPE 1989-1993
* Music Acoustics Ph.D.- KTH- Royal Institute of Technology- Stockholm-SWEDEN- 1996-1999

Languages

* Portuguese, English and Spanish: fluent speaking, reading and writing
* Italian and Swedish: fluent speaking and reading
* German and French: basic conversation and reading

Jobs in Engineering :

* Digiponto, industry of electronic equipment (computer keyboards) , 1983-1984, working in mechanical manufacturing, development of prototypes, design of plastic injection moulds and quality control.
* Schlumberger International, from September 1987 to November 1988. Working in Scotland, Colombia and Ecuador as field engineer, supervising the assembly and maintenance of well testing equipment, doing geophysical measurements and reservoir analysis.

Educational Jobs:

* Mechanical Systems for Industrial Design course; consultant in projects by graduating students. Also taught Elements of Musical Language in the Journalism and Communications course, during 1992.
* Universidade Federal do Rio de Janeiro- School of Music :
Substitute professor: 1991-1993
Assistant professor: from 1993 on, in the disciplines of Musical Acoustics and Physiology of Voice.
* Brazilian Conservatory of Music - teacher of Musical Acoustics for undergraduate students and Psychoacoustics for Music Therapy students, since August 1994, to the present day.

Main activities in Music:

* Paraná Symphony Orchestra: oboe and english horn player, from 1985 to 1987.
* Camerata Antiqua de Curitiba: 1986, playing mostly the baroque repertoire.
* Brazilian Music Orquestra (OMB) ; an orchestra for Brazilian popular music, principal oboe since its foundation in 1984.
* Rio de Janeiro Municipal Theatre Orchestra: 1990, as oboe and English horn player.
* Ensemble Ars Eletronica: member of the group dedicated to contemporary music as performing oboist, under the direction of the Brazilian composer Jocy de Oliveira, from 1993 up to the present time.


Leonardo Fuks (oboe), is Associate Professor of Music Acoustics and Voice Physiology at Universidade do Brasil/ UFRJ in Rio de Janeiro. His musical studies were carried out at Villa-Lobos Music School and Uni-Rio University. He has been a professional oboist in several Brazilian orchestras and chamber music groups. He holds a degree in mechanical engineering, a MSc degree in design engineering, and a Ph.D. in music acoustics from the Royal Institute of Technology (KTH), Stockholm. His main research topics include wind instrument physics and performance, and vocal techniques in ethnic and contemporary music. He has created a novel process for making clarinet and saxophone mouthpieces and a number of low-cost wind instruments for music education, particularly the Tuboe. Mr. Fuks is the founder and director of a bicycle orchestra, the Cyclophonica.

Read more…

Blog Topics by Tags

Monthly Archives