a common space & database for harmonic overtones
About me: Some 30 years ago I attended overtone singing classes with Dany Becher. Unfortunately I didn't practise this art for a long time. Yet I'm very interested to hear what you are all sharing in this respect on this site.
About me: Before 1997 I 've never played any musical instrument. After a visit in Australia I got my first Didge and started making noise. At a Didgeridoo festival in Bonn 2000 I heard Wolfgang Saus and was fascinated by his overtone singing. From 2002 on I organized several workshops and concerts with Wolfgang Saus in Kassel and went on singing and didging. I'm member of the EOC.
About me: The overtone singing is the tool for self-knowledge, exploration of its limits and beyond them: my chosen path for the expression of my soul connected with the others.
I'm a performer and singer in Florence.
I'm learning overtone singing following Lorenzo Pierobon, Mauro Tiberi & Tran Quang Hai's teaching and my personal research.
Actually there's work in progress for new stuff.
I've worked for projects of dance-theater, with the Butoh-dancer Clara Chiara Burgio, (CORPO GEMMANTE, 2013; ABITO, 2015). We had the first show in Florence (Teatro Aurora, Scandicci), where I used the voice and some instruments.
http://soundcloud.com/velvetdatura/death-be-not-proud_datura
About me: shamanic voice, overtone and throat singing, voice art
.. ich liebe die Verzauberungskraft der Musik...
.. die Musik die ich erfühle, die aus mir steigt, wie Lichternebel,
ist gleich der Spiegel meiner heiligen Essenz, ist Spiegel der glühenden Kugel, Erdenmuttersherz... ....ist Spiegel meiner Selbst....
About me: I'm trying to learn overtone singing because it brings all the boys to the yard. I started experimenting with it at the end of last year (2016) mostly to occupy myself on frequent car rides although I've been familiar with it for a couple years now. It was one of Anna Marie Hefele's videos that made me start. However, still when I think of throat singing, I think of Inuits and grunting and panting into a loved one's face... I may be using throat singing colloquially for something else. *winkwink*
About me: I started with receiving vocal training from the age of 8 at the Vienna Boys' Choir.
After completing the higher technical school (2002) I graduated at the Vienna Conservatory in Jazz Singing (2008) and later in Montessori education (2011).
I'm a versatile autodidact, who's loving yodeling and overtone singing (especially polyphonic overtone improvisation) since about the year 2000.
I have led various band projects and performed among many others with
Sabine Hasicka, Alegre CorrÍa, Monika Trotz, Mathias Loibner, Hans Tschiritsch, Hosoo, Anna-Maria Hefele, Pandit Shivnath, Deobrat und Prashant Mishra,
sang solo in several choirs like Wiener Kammerchor, performed at film, theatre and opera (f.e. Dschungel Wien and Neue Oper Wien),
taught at the University of Music and Performing Arts Vienna and at the lectures and discussions around vocal disorder of actors and singers (Austrian Society of Logopedics, Phoniatrics and Pediatric Audiology
in cooperation of the Medical University of Vienna).
I'm giving private lessons, courses and workshops for nearly every level of skill and age as well as playing and singing, doing overtone massages (following my promise to heal as a initiated healer) and sound meditation ...
About me: Percussionist for 40 years, now playing Gongs almost exclusively. Using Gongs for sound healing & meditation. It was the overtones of the big Gongs that attracted me to them - such a Universe of sound. Then I discovered overtone singing, which I sometimes do with the Gongs.
About me: I started my interest in overtones over 10 years when I started playing Didgeridoo, then I got interested in overtone singing both western and Asian styles. Currently I am learing to playing the Jaw harp and Dan Moi. In the future I plan to buy a Fujara.
About me: Paul Freh is an Austrian singer and musician with special love for overtone singing. His concerts, sonic journeys and music nights ( 9 hours of live music) are known for a unique approach to sound and listening. It is not the show that is important, but to serve the sound and the listeners.
About me: i am a musician and working with kids as a music teacher
my first instrument is accordeon, now i startet to play khomus and my wish is to exsplore the possibilities of this beauttfull instrument and to learn throat and overtone singing for me but also to pass this knowledge to children
Overtone Music Network
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