a common space & database for harmonic overtones
About me: Arjopa & The Master U-like
TRANCE SIBERIAN KHOOMEI SOUND
Horse-Head Fiddle & Tuvan Throat Singing Voice(s) meets Electronix
ТУВИНСКОЕ ГОРЛОВОЕ ПЕНИЕ - ХООМЕИ
Arjopa & The Master U-like weave a “Magic Carpet” of Siberian Khoomei (Throat Singing), hypnotic String Sounds, Jew's Harp- flangers, evocative beats and lyrics in 4 languages (English, German, Russian & Tuvan).
Their Trance Siberian Khoomei Sounds are a magical synthesis of modern Western music, advanced electronic sounds & traditional Asian instruments and vocal techniques. Arjopa & The Master U-like create odd sound collages, that takes audience into a world beyond time and space. Their sounds make even Taiga Spirits dance!
Arjopa: Throat Singing, Vocals, Guitars, Dosh Puluur, Morin Khuur
Arjopa - The leading female Throat Singer from the Western World (born in Berlin, Germany), has the raceptance of well known Tuvan Khoomei Masters such as: Albert Kuvezin (Yat-Kha), Mongün-ool Ondar (Chirgilchin), Kongar-ool Ondar (Movie: “Genghis Blues") and Genady Tchamzyrym (Gendos).
Arjopa grew up in Berlin with the Russian-Siberian music of her ancestors, that emigrated from South Siberia to Germany in early 20th century. Since her earliest youth she deals with the ancient asian vocal techniques and mixes them with western music, and elements of Jazz and Folk-Ro
The Master U-like: Drums, Advanced Electronix,
Mouth Harps (Khomus,Vargan)
The Master U-like studied percussion, sound design and programming in Berlin, at
SAE Institute. He learned to play the shamanic Frame Drum (Düng Dür) and Mouth Harp (Khomus, Vargan) with masters in Siberia. His soundscapes correspond in a unique and remarkable way with Arjopa ́s magical voice
Featured Artists: Various musicians on guitar, bass, didgeridoo, cello and more.
About me: Hi, I am a long time singer/composer from Tromsoe, Norway.I have been releasing albums since the 80´s, mostly pop music. I´ve been touring most continents and now I am an artistic phd student at the University in Tromsoe, north of Norway. My main thesis is "the modern tribal voice" where I investigate a.o. on the sami joik, overtone - and throat singing.
About me: A prayer with the depth of tuvan throat singing begins the journey. Musical instruments succeed: morin khuur, igil, shamanic drum, jaw harp, tibetan horn ... memories come back..
New sensations, unknown emotions mix with sounds, images, smells and vibrations lead us to a larger self-knowledge. We hear the wind blow in the Altai Mountains, Eeven river's water lap on the rocks ...
The nomadic music created intuitively becomes a guide to think outside the box and discover new horizons between earth and sky.
About me: Italian overtone singer, throat singer(Tuvan Khöömei), musician and flutemaker.
I perform in concerts and theaters with Sherden Overtone Choir, in Sardinia(Italy) and abroad: I also offer workshops and private lessons using my "4L's method", which allows to gradually learn overtone singing through four paths: https://www.youtube.com/watch?v=2ZurQeV5mr8
I fell in love with music when I was a little kid, but I've never been into singing until I discovered the world of overtones.
I always tried to find my own way of expression by learning several instruments, then I finally started singing overtones: since that day I met awesome people all over the world :)
In 2016 I co-founded with Ilaria Orefice the first overtone singing school in Sardinia(Italy): it is called "Sherden Overtone Singing School": we teach how to control breathing and speaking in an effective way, then we train people to discover their own overtones and to use them for creating music or to meditate.
Overtone series is a beautiful gift given to us by nature, so it belongs to anyone.
About me: Danibal is one of the very few Jew’s harp players in the Netherlands. He fell in love with this tiny ancient instrument in 1999 together with his interest in throat singing. As the vocalist of Dial Prisko (Utrecht NL) the Jew’s harp also claimed a place in their melancholic rock songs.
Danibal tries to make plunky pop music, involving quirky melodies and dentist impressions. He loves to improvise with other musicians such as sound artist and loop maniac Jan Schellink (with the duo Heug) and with the human beatboxer Ramon Kool (the duo Plunk)
About me: I have been making music with Michael Ormiston since 2000. We have collaborated on many projects together and have recorded many CDs which can been seen on our website www.soundtransformations.co.uk
I have specialised in Khoomii, Khargyraa throat singing and also work with groups to perform more choral pieces and improvisations using Overtone Singing and other vocal techniques
We run Mongolian Khoomii singing workshops all over the world and teach Tibetan Bowls and Symphonic Gongs as part of working with sound for healing.
I run Bija Mantra workshops where I teach the sanskrit syllable chanting as a way of connecting to the Chakras. I am also a painter of Sacred Mandalas which I have been painting since I was a child and can be used with sound as a way of focussing energy and intention.
For 15 years I have been working as a Ayurvedic masseur and have visited South India many times to work with some great healers and therapists.
About me: My approach to the practice of harmonic chanting, or throat singing, is from within the Gelug tradition of Tibetan Buddhism of which Gyuto Monastery is a part.
My main teachers are Lama Thubten Zopa Rinpoche and Lama Thubten Yeshe, of the Foundation for the Preservation of the Mahayana Tradition (FPMT).
So my interest in the chanting tradition of Gyuto is intertwined with engagement in the Buddhist tradition of study, meditation and liturgy, rather than an emphasis on the musical tradition.
In the <a href="http://www.youtube.com/watch?v=1FEdUZD2IPw" target="_blank">first two minutes of this youtube video</a> I offer some chanting for the enjoyment of Kyabje Thubten Zopa Rinpoche.
About me: Ravi is a rare talent - a musical shaman who knows no fear.
He has been an inspiration to us over the years as he continues to cross borders and boundaries in his quest for musical expression and freedom"
DEVA PREMAL & MITEN
Ravi is a multi-instrumentalist, songwriter and one of the longest established Western players of the kora (West African harp). His music is the result of a lifetime exploring the edge, through world music, tribal cultures, throat singing and a journey that has taken him from India to the Amazon.
As well as over 20 CDs, international performances and workshops and the invention of the electric/stereo kora, Ravi has also worked with artists such as Nigel Kennedy, Jon Lord, Phil Manzanera, Baaba Maal, Dr John, Ronu Majumdar and Marlui Miranda.
The most recent albums are “Songs for the Golden Age” and “Two Rivers” with master flautist Adrian Freedman
As well as devotional singing events, Ravi also offers Overtone Singing and Voice Workshops
which take participants on a transformational journey of discovery into the voice
About me: Starting to sing as a child, I have been touched by many musical influences all around the world. At the age of 10 I started to sing as solo alto voice in choir for classical church music. Then made band experiences as backing vocalsist with the range of ongoing western styles in the middle seventies.
Living with Beduins in the Sinai desert I was for the first time in touch with oriental rhytms and vocals. Immedialtey getting thrilled. During three years i stayed in India, Ihad the chance to study mantra singing and it´s healing dynamics at the temples of Pushkar.
Beeing thought in schamanic healing, I learned how voice is touching and transforming different human layers.
At the same time I started to work in several projects with Jazz, improvised music and world music. I was educated in trance dance and trance music. 1990 I started throat singing and overtone singing. I developed my voice, understanding it´s limitations, as connected with psychic barriers which I started to undo.
Beside my work as a singer, lyric writer and composer, I did art works with precious stones at power spots in nature and furniture to recover bodies and spirit. While doing for one Year precious stone covered seats in a cave in Mariposa, Tenerife, I could work with healing sounds on nature.
During the last years I have been involved in noumeros muscal projekts with other musicans and in studios. I am doing performances with mantra singing, sound journeys, overtones and a capella songs.
In my classes and work shops I am offering mantra singing, voice liberation, singing technique, and healing tunes.
About me: My singing practice takes inspiration from Tuvan and Mongolian overtone singing, Inuit throat singing, sound poetry and an ongoing exploration of extra-normal vocal technique.
I also take influence from industrial musick, trance, and drone; insight meditation practice, urban/industrial shamanism and chaos magick; feminist, queer and trans praxis; and Discordianism.
As a researcher, I have interests in feminist, queer and trans politics, intersectionality and ethical engagements with postmodern culture(s), with a focus on writing against normative narratives. A critical engagement with the ethics of performance, cultural appropriation and privilege form the core of my praxis. I use the moniker Sage Pbbbt for vocal performance work and my name Sage J Harlow for writing.
I recently complete my PhD entitled ‘Giving voice to the extra-normal self with the extra-normal voice: Improvised exploration through the realms of shamanic chaos magick, insight meditation and gender performance.’ You can read it here if you like.
Sometimes I play the drums. Sometimes I write pieces of musick.
Pronouns: she/her.
I recognise the Australian Aboriginal and Torres Strait Islander peoples as the first inhabitants of this country. I recognise the the Whadjuk people of the Noongar nation as the traditional custodians of the land where I live (Perth, Western Australia).
Overtone Music Network
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