a common space & database for harmonic overtones
About me: Overtone and khoomei singer
With classical music education in singing, he has also studied Naad yoga.
He learned different styles of singing Khoomei in Tuva (Republic of Russia, Siberia). During his stay he had several teachers, including Igor Koshkendey member of Chirgilchin. He also attended the International Symposium Khoomei in 2008. He returned to Tuva in 2012 and appeared in a singing competition Khoomei at the Dembeldei festival held in the capital of Tuva (Kyzyl), which was awarded by the jury. He also was at the competition of the 6th Internacional Symposium of Khoomei held in Kyzyl, the capital of Tuva, in June 2013.
He can sing Kargyraa, Khoomei, Sygyt, Borbangnadyr, Ezengileer, Dumchuk and other sub-styles including Tibetan singing deep (dbyang style).
He gives occasional workshops and Khoomei overtone singing in different localities of Spain, and regulars classes of harmonic chant in choir.
Currently gives concerts with her choral group and make collaborations with different musicians and art projects.
Discography:
Amarok, disco group "Midnight Sun" collaboration with guttural voices.
Ravi Ramoneda. One Step to Devotion. collaboration
Andapindam. Cd-mandalas with video of the coral MuOM The Harmonic Ensemble.
Mu- MuOM Barcelona overtone singing choir's New album
About me: Long time microtonal composer/theorist/programmer. Got interested in overtone singing after hearing the Harmonic Choir in 1983 or so. Long associated with the American Festival of Microtonal Music.
My iOs app Droneo is a great way to hear and explore interval relationships, also online webapps like the Tone Spiral and the Lost Chord.
About me: DIPHOO has been a singer and guitar player for many years, when he discovered overtone singing in 2003.
After years of self-training, DIPHOO has developped a relaxing and meditative healing session. Overtone singing accompanied by the sound of a shruti box makes you feel the harmonic healing sounds of natural music.
Enter into deep relaxation
Experience altered states of consciousness
Have your subtle energies cleaned
Get energetically balanced
Connection with your Inner Self
About me: didgeridoo maker since 1996. founder and manager of the didgeridoo center in Israel and co-manager of the iIsraeli didj festival . i play , teach and make didgeridoos and innovaive compact designs for the didj field. several years ago got involved in the overtone singing and jews harp playing fever . regardless of my classical music education i'm a total fan of the one tone-harmonic music
About me: Using instruments such as didgeridoo, singing Bowls, gongs, monochords, tuning forks and shamanic voice techniques, Pedro practices the art of using sound to tune the systems of the body. During individual or group session Pedro’s main focus is to create a space where people can
easily and safely expand their consciousness, relax and nurtures their body with harmonic frequencies.
Self-learning, born in Lisbon in 1979, has dedicated himself to the study of the healing art of sound and vibration in 2001.
In that same year, he has started playing didgeridoo and singing bowls.
In 2002 has developed relaxation and massage techniques evolving sound, beginning his path on one to one and group sessions in 2003.
Fascinated by harmonic sounds, he has released his voice naturally and has begun singing overtones and using non verbal language in his work in 2004.
Between 2003 and 2008 he has developed his studies in sound healing and has done hundreds of sessions, performed in workshops, yoga centres and festivals of art and music as Andanças and Boom Festival, which he participates since 2004.
Actually runs Sonorizarte, his a founder element of OCO band and works together with other artistic and personal development projects.
Sharing these experiences and knowledge, the main goal is that everyone can possess sonic tools for personal and planetary healing trough sound….
About me: Harmonic Introductions is a vocal ensemble dedicated to the art of overtone singing. Founded in Spring 2012, we currently hold weekly sessions in Rockville, MD using a variety of vocal exercises to teach members the techniques of overtone singing. Through holding free and structured meditative improvisations, we create a playspace for people to practice and get to know their own voice more intimately.
We are available for private lessons, group workshops, performances, and other collaborations.
Our goal as an ensemble and organization is to build a community of enthusiasm and appreciation for overtone singing within the D.C. metro area, and to play a role in the continued growth of a global network!
Contact us @ HarmonicIntroductions@gmail.com!
Follow us on Twitter @HIntroductions
**Artwork courtesy of https://www.facebook.com/pages/Connor-Boyd-Synesthesia-Paintings/174870609314883**
About me: 1960-67 I played bass guitar in several bernese rock bands. For three years I lived in Australia (1968-71) and got to know the didjeridu. Studies and contact with aboriginal and white musicians. Bringing the first didjeridus to Switzerland in 1971 and becoming one of the first ambassadors for this instrument in Europe. Since 1986 teamwork with Gérard Widmer (fujara) and co-founder of the label and duo NATURTON. From this time the interest spreads to overtones, harmonic singing, as well as natural sound instruments. Sound healing and therapy, workshops, concerts, performances and talks in schools and elsewhere.
About me: Musician and therapist. Played in Bluegrass bands for many years. Ran a music club, Acousticality, in Totnes, Devon and Winterthur, Switzerland in the 90s. Formed The Overtone Choir UK with Ravi in 1998. Two CDs, Sound and Light, and , Spirals. Perform regularly with Ravi and the overtone band, solo concerts, collaborations with Nick Korth, classical musician,composer and leader of The Harmonic Ensemble. Have performed and recorded the classsical piece, Harmoniae Naturales II by Nicholas Korth conducted by Howard Moody with the Jupiter Orchestra.
Recorded a fusion CD of European overtone singing and contemporary Indian music with Dinesh Mishra called, Come Home to the Heart. Present projects include a new constellation called, the Overtone Ensemble, combining Mongolian and european overtone singing and music styles. On tour in the UK at the end of March 2009.
About me: My approach to the practice of harmonic chanting, or throat singing, is from within the Gelug tradition of Tibetan Buddhism of which Gyuto Monastery is a part.
My main teachers are Lama Thubten Zopa Rinpoche and Lama Thubten Yeshe, of the Foundation for the Preservation of the Mahayana Tradition (FPMT).
So my interest in the chanting tradition of Gyuto is intertwined with engagement in the Buddhist tradition of study, meditation and liturgy, rather than an emphasis on the musical tradition.
In the <a href="http://www.youtube.com/watch?v=1FEdUZD2IPw" target="_blank">first two minutes of this youtube video</a> I offer some chanting for the enjoyment of Kyabje Thubten Zopa Rinpoche.
About me: Sedaa means "voice" in Persian and connects traditional Mongolian music with the Orient which makes an extraordinary and fascinating sound.
Master singer Nasaa Nasanjargal and Naraa Naranbaatar who studied in their Mongolian homeland are very well known through their band Transmongolia. Together with the virtuosic Dulcimer player Ganzorig Davaakhuu and the Iranian Multi- instrumentalist Omid Bahadori they abduct you into one genuinely exotic world between Orient and Mongolian steppe.
The base of their modern composition is formed by natural sounds which are produced with traditional instruments and the use of old age song technologies of their nomadic ancestors with which a person produces several tones at the same time.
Vibrating undertone vocals and the amazing harmonic singing Hömii with the company of the melancholy sounds of the horse head violin Morin Khuur and the pearly sounds of the 120 strings hammered Dulcimer melt into the pulsating oriental drum rhythms to one mystical sound.
<hr/>If you are interested in any classes for Kargyraa (underton singing), Höömii (mong. overtone singing) and oriental Percussion or to get more information please email us: info@sedaamusic.com<hr/>
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