a common space & database for harmonic overtones
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Erik Karsemeijer
About me: I started my musical work wenn I was 7 years old. I learned to play the violin. Than I choose the trombone and later I became a well known percussionplayer. I was working in studio's and loved the Brazilian music very much. In 1985 I discovered the singing bowls and took lessons in overtone singing by Danny Becher and several years by Michael Vetter. After following different sorts of training in music-meditation, Zen and psychotherapy, I developed myself as a 'Musician in Meditation'.
NamasteMusic
About me: Didgeridoo, Jew´s Harp, Overtone Singing, Celtic Harp meet with ancient percussion, wind & string instruments from ancient European & Asian cultures!
NAM cross-culturally fuses ancient instruments with an old European and old Oriental song treasury, modern soundscapes and visionary lyrics to an epic, powerful and atmospheric music reflecting in the mirror of Now...
Henry Lowengard
About me: Long time microtonal composer/theorist/programmer. Got interested in overtone singing after hearing the Harmonic Choir in 1983 or so. Long associated with the American Festival of Microtonal Music.
My iOs app Droneo is a great way to hear and explore interval relationships, also online webapps like the Tone Spiral and the Lost Chord.
Katelijn Vanhoutte
About me: In my profession as singing therapist I sing overtones with people who are afraid to sing, with people who want to know better their voice as a friend and become aware of the influence of overtone singing on their body, mind, heart.
My way of working is based on Buddhism filosofy which help people to sing without judging their voice while singing overtones. In my workshops overtones help people to connect with themselves and each other.
The locations of my workshops are Belgium, France, Italy, Spain and Mexico.
I followed the training "Voice, respiration and overtones" given by Borg Groeneveld in Amsterdam during 4 years to become singing therapist. I also followed workshops with Tran Quang Hai.
My native language is Dutch, I also speak French, English and Spanish.
Randy Raine-Reusch
About me: I am a composer and concert artist specializing in new music for non-western instruments. I have performed around that world, and shared the stage with many prominent artists. I have been actively performing both overtone and undertone singing since the 80's and have played and jammed with a number of prominent Tuvan and Altai groups.
Santos
About me: I'm a guitar player and a composer. I have worked as a music teacher, scoring films, and writing and playing music for diferent kinds of shows (including contemporary dancing, circus and experimental music performances). I discovered overtone singing near 2000, but I started to practice it at the end of 2006. I like cinema and literature.
Aionigma
About me: Aionigma is an ensemble dedicated to overtone singing & overtone music based in Austria. It was founded in 2015 by Austrian overtone singer & multiinstrumentalist Bernhard Mikuskovics and initially appeared in front of the public at famous pilgrimage church Maria Wörth at Carinthia on Juli 9th 2016 and on Juli 8th 2017
The art-word "Aionigma" is a creative combination of two ancient Greek words "Aion" and "Ainigma": While "aion" stands for eternity "ainigma" means as much as mystery, phenomenon or secret. Composed the meaning of Aionigma" is something like infinite mystery or infinite secret. This perfectly describes the work of creativity in connection with the mystery of the overtones as parts of nature and harmonic existence in all dimensions and in all aspects of being
Marco Tonini
About me: I'm an orchestra and choir opera conductor, but I prefer to analyze vocal formants, sonogram and spectrogram. My workshops are instructions about formantic analysis of overtone singing and opera singing by audio software. I work for disabled children in public secondary school since 1997.
For my compositions I use my voice and my vocal samples (sometimes some whale and dolphin samples).
Sometimes I think that my music is no natural, because I also use my voice digitally processed by software. Ok, I use time streching, reverbs and many filters only.
But I love work with my overtones and process them.
Roberto LANERI
About me: Discovered overtone singing in 1972. EVT group at University of California, San Diego. Founder of PRIMA MATERIA (1972-80) and IN FORMA DI CRISTALLI (1998-2006). Lots of solo performances. Written a book LA VOCE DELL'ARCOBALENO (published by Il punto d'incontro, Vicenza), at the moment working on a second book. Currently teaching at the Florence Conservatory and BeVoice, Milan. Can't stand new age music.
See also myspace.com/robertolaneri
yoram sivan
About me: didgeridoo maker since 1996. founder and manager of the didgeridoo center in Israel and co-manager of the iIsraeli didj festival . i play , teach and make didgeridoos and innovaive compact designs for the didj field. several years ago got involved in the overtone singing and jews harp playing fever . regardless of my classical music education i'm a total fan of the one tone-harmonic music
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