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The Impact of Music Therapy on Mental Health

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When I worked in a mental hospital, I rolled my cart full of musical instruments and gadgets down the hall every morning. The patients who lingered in the hallway smiled and banged drums as they passed. Some people asked me if I had their favorite band on my iPad. Some would peek out of their rooms and exclaim, "Molly is here!" It's time for a music therapy group! Often times, I would hear of patients sleeping in their rooms when I arrived, but their friends would gently wake them up with a self-assured, "You don't want to miss this."

Music to my ears

I have been fortunate enough to serve many children and adults in various mental health settings as a music therapist. I have heard stories of resilience, strength and adversity. I have worked with people who have lived through trauma, depression, grief, addiction and more. These people did not come to me at their prime, but despite feeling lost or broken, the music provided the opportunity for them to express themselves and to experience safety, free essay writers online about this peace and comfort.

Research shows the benefits of music therapy for various mental health issues, including depression, trauma, and schizophrenia (to name a few). Music acts as a way to deal with emotions, trauma, and grief, but music can also be used as a regulating or calming agent for anxiety or deregulation.

Music therapy involves four major interventions:

Lyrical analysis

While talk therapy allows a person to talk about topics that may be difficult to discuss, lyric analysis introduces a new and less threatening approach to dealing with emotions, thoughts, and experiences. A person receiving music therapy is encouraged to offer insight, alternative lyrics, and tangible tools or themes from lyrics that can apply to obstacles in their life and treatment. We all have a song that we care deeply about and enjoy. Lyric analysis gives an individual the opportunity to identify song lyrics that may correlate with their experience.

Improvisational music

Playing instruments can encourage emotional expression, socialization, and exploration of various therapeutic themes (ie Conflict, Communication, Grieving, etc.). For example, a band can create a "storm" by playing drums, rain sticks, thunder tubes and other percussion instruments. The group can note areas of escalation and de-escalation in the improvisation, and the group can correlate the “ups and downs” of the storm to particular feelings they may have. This creates an opportunity for the group to discuss their feelings more.

Listening to active music

Music can be used to regulate mood. Because of its rhythmic and repetitive aspects, music engages the neocortex of our brain, which calms us down and reduces impulsivity. We often use music to match or change our mood. While there are benefits to matching music to our mood, it can potentially keep us depressed, angry, or anxious. To change mood states, a music therapist can play music to match the person's current mood, then slowly shift to a more positive or calm state.

Song writing

Writing songs provides opportunities for expression in positive and rewarding ways. Anyone can create lyrics that reflect their ownthoughts and experiences, and select the instruments and sounds that best reflect the emotion behind the lyrics. This process can be very rewarding and can help build self-esteem. This intervention can also create a sense of pride, as someone listens to their own creation.

On another side

When I was working in a residential treatment center, I was informed that a child refused to continue to see his usual therapist. Although he initially hesitated to meet me, he quickly got excited about our music therapy sessions.

During our first session we decided to check out the lyrics to “Carry On” by FUN. I asked her to explain what it means to be a "shining star", which is mentioned several times in the song. I was expecting this 8 year old to tell me something simple, like "that means you are special". But he surprised me when he said, in a neutral tone, “It means that you are something that other people notice.

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Onlinekurs OBERTONGESANG

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Onlinekurs OBERTONGESANG für Anfänger und mäßig Fortgeschrittene

mit Bernhard Mikuskovics

Unterrichtet werden Techniken des westlichen Obertongesanges


Kursdauer:

Insgesamt 4 Einheiten im Oktober 2020, Dauer/Einheit 70 Minuten (2 x 35 Minuten)


Kurstermine :

1. Einheit: Freitag, 2. Oktober, 17:30 - 18:05 und 18:15 – 18.50 Uhr
2. Einheit: Donnerstag, 8. Oktober, 17:30 - 18:05 und 18:15 – 18.50 Uhr
3. Einheit: Mittwoch, 14. Oktober, 17:30 - 18:05 und 18:15 – 18.50 Uhr
4. Einheit: Dienstag, 20. Oktober, 17:30 - 18:05 und 18:15 – 18.50 Uhr


Kursbeitrag:

180.- (€ 45.- / Einheit)


Kurs buchen: Sende eine Email an harmonische.welt@gmx.net - Du erhältst eine Anmeldebestätigung und die Bankdaten zur Überweisung des Kursbeitrages. Nach dem Eingang des Kursbeitrag erhältst Du einen Link zur Teilnahme.

Dieses virtuelle Kursangebot ist auf eine Klassengröße von maximal 15 Teilnehmern beschränkt, um Deine Lernerfahrung zu maximieren.

Bitte stelle sicher, dass Deine Internetgeschwindigkeit Video-Chat / Konferenzen verarbeiten kann, bevor Du Dich anmeldest.

Der Kurs wird über Zoom abgehalten. Wenn Du Zoom noch nicht hast, kannst Du es hier herunterladen: https://zoom.us/

Bist Du neu bei Zoom und nicht sicher, wie es ausgeführt werden soll? Klicke hier für ein einfaches Video-Tutorial, um Dir den Einstieg zu erleichtern: https://youtu.be/fMUxzrgZvZQ

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Khusugtun's New Album: JANGAR is out

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A modern and polyphonic exploration of the traditional overtone singing from Mongolia

Khöömii and throat singing in polyphony: a treasure for the lovers of Mongolian overtone singing!

After a first self-producted album in 2009 and a participation in the double-disc An Anthology of Mongolian Khöömiiin 2017, Khusugtun releases Jangar, its second opus. Since over 10 years, it is one of the most celebrated khöömiiand throat singing groups from Mongolia. Revealed by the Khöömii International Festival of Ulaanbaatar, BBC Proms, Rainforest Music Festival, Khusugtun has acquired international renown. With its impressive khöömii soloists, it has become one of the influences of the phenomenal band The Hu.

The peculiarity of this sextet lies in the use of vocal polyphony, a recent exploration in the Mongolian throat singing tradition. Their repertoire, almost entirely dedicated to khöömii (throat singing), is made up of traditional forms, such as praise songs (magtaal), short songs (bogino duu), or compositions inspired by the Mongolian music tradition.

The group accompanies itself with the horse-head fiddles morin khuur, their double-bass version ikh khuur, the lute tovshuur anddombra, guitar, cello and the zither yatga. In addition, they use instruments with play on overtones, such as mouth harp in metal (tömör khuur)and bamboo (khulsan khuur), as well as the musical bow (numan khuur). This instrument has been forgotten and Khusugtun is contributing to bring it up to date.

Synonymous with "nomads", their name represents the desire to travel by music, like their ancestors who migrated across the globe. The group characterizes its style with melodious tunes intended to purify listeners from the ambient stress of the twenty-first century. What matters to them is that people listen to their music by imagining the landscape and the beauty of nature, to free themselves from daily worries. Thanks to a peerless level of interpretation, their powerful music is full of large space that makes us feel good.

Johanni Curtet

Khusugtun:

-Ariunbold Dashdorj: vocals, khöömii, ikh khuur grand horse-head fiddle, guitar, tömör khuur metal mouth harp
-Batzorig Vaanchig: vocals, khöömii, morin khuur horse-head fiddle, numan khuur musical bow, tömör khuur metal mouth harp
-Amarbayasgalan Chovjoo: vocals, yatga zither, khulsan khuur bamboo mouth harp
-Chuluunbaatar Oyuungerel: vocals, khöömii, morin khuur horse-head ddle, tovshuur lute, numan khuur musical bow, tömör khuur metal mouth harp
-Ulambayar Khürelbaatar: vocals, khöömii, tovshuur and dombra lutes, cello, numan khuur musical bow, tömör khuur metal mouth harp
-Adiyaadorj Gombosüren: vocals,khöömii, limbe and tsuur flutes, percussions (djembe, shakers), numan khuur musical bow, tömör khuur metal mouth harp

Production: Khusugtun, Routes Nomades, Buda Musique

Order the CD: https://www.budamusique.com/en/catalogue/view/1151/jangar/

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