Since I´ve fallen in love with the tension of polyrhythmic ambiguity I was looking forward to performing my compositions from the"Fake African Memories" with more than one drummer/percussionist. I am happy that this has finally happened and turned out to be just as great as I imagined it to be.This version of Mascara is taken from the first rehearsal with Peter Halves on percussion and Florian Dietz on drums, it´s the first time the two play together. I wanted the rhythmic feel to be shifting between a 12/8 and a 4/4 and I think it works out fine.
Another composition of the "Fake African Memories", Transit:
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