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Aionigma
About me: Aionigma is an ensemble dedicated to overtone singing & overtone music based in Austria. It was founded in 2015 by Austrian overtone singer & multiinstrumentalist Bernhard Mikuskovics and initially appeared in front of the public at famous pilgrimage church Maria Wörth at Carinthia on Juli 9th 2016 and on Juli 8th 2017
The art-word "Aionigma" is a creative combination of two ancient Greek words "Aion" and "Ainigma": While "aion" stands for eternity "ainigma" means as much as mystery, phenomenon or secret. Composed the meaning of Aionigma" is something like infinite mystery or infinite secret. This perfectly describes the work of creativity in connection with the mystery of the overtones as parts of nature and harmonic existence in all dimensions and in all aspects of being
Federico Parra
About me: Federico Parra, born in Buenos Aires (Argentina) is a Contemplative Musican and Chant teacher and has performed and taught in Argentina, Chile, Peru, France, India, and the US, including a graduate level course at Lesley University, an ongoing full program of Contemplative Music at Samadhi Integral (Newton), and a 6 month Chanting course at Takiwasi Rehabilitation Center (Peru). Federico has studied and performed with some of the most renowned Contemplative Musicians in the world: Master Francisco Sicilia (Argentina), Lama Gyurme (Bhutan), David Hykes (US) -forming part of his Harmonic Choir and participating in several concerts in Europe and in the International Festival of Sacred arts, in India-, Gagik Gasparyan (Armenia). As a Western Composer, Arranger, Vocal teacher, Pianist, Drummer, Federico studied in the University of Tres de Febrero and later in the Juan Jose Castro Conservatory (Argentina), as well as privately on mentoring relationships with the finest Piano, Percussion, and Vocal and Harmonic Singing teachers in Buenos Aires, an overall 15+ years of music career. He collaborated in some 10 CDs and recorded and composed a few of his own. He also composed and performed the soundtrack for 3 independent films.
An advanced meditation practitioner, Federico started with Zen meditation for almost a decade, and then moved to France for 2 years to study with the Venerable Lama Gyurme, a Master from Buthan, living later on in his Buddhist center in retreat; in 2011 he moved to the Boston area for deepening his meditation studies and practice with Dr. Daniel Brown and Rahob Rinpoche, in an ongoing mentoring relationship that is ongoing to this day.
Federico completed a Core Integral level 1 course in Integral Studies, a philosophical framework that integrates traditions of knowledge East and West, and have in depth studied Integral theory for more than 6 years. He currently studies Psychology in a distant learning program of Paris University.
In 2012 Federico received an O-1 Visa from the US immigration office, a Visa granted to "individuals with extraordinary abilities or/and achievements", for his work as a contemplative music teacher and performer internationally.
riccardo misto
About me: musician, and musictherapist, teacher of Nada Yoga. I also work with handicap people with sound and music. I've studied nadayoga with shri Vemu Mukunda and overtones singing with Roberto Laneri, Tran Quang Hai and David Hykes. I'm now studying and practicing with tibetan undertones. I've realized a video for free tibet using this technique.
I hold conferences on the therapeutic use of sound and music, seminars and training courses in music therapy, Nada Yoga and Harmonic Singing in Italy and abroad, especially Brussels, and in India (Bangalore, Benares, Calcutta, Puri, Surat, Auroville ).
I’m authorized to detect the personal tonic note, which also find using a computer system.
I’ma guitar and drums teacher, which teach privately and at cultural associations.
I oversaw the training and updating of elementary and middle school teachers regarding the psycho-pedagogical aspect of music with the course "Music as a pedagogical and therapeutic tool".
I travel annually to India to further my studies on sound and music therapy: in Bangalore (south India) I played with local musicians, also holding conferences and demonstrations on the use of overtone singing.
I have presented concerts of Overtones Singing, called "The Sacred Sound" in several Italian and European cathedrals.
I collaborate with newspapers and specialized scientific journals: I have published articles on sound, music and therapy for Progetto Uomo-Musica, the Enciclopedia Medicina Alternativa, I Nuovi Delfini, PsicoLab), Academia, OBM Integrative and Complementary Medicine Journal.
May 2018: led the workshop “Dimmi Takadhimi!” at the C. Pollini Conservatory of Padua. on the Konnakol rhythmophonetic system of South India.
In 2019 I held the workshop on the Konnakol rhythmophonetic system of South India at the G.Tartini Conservatory in Trieste, which was followed by a specific educational program.
The workshop was scheduled at the F. Venezze Conservatory in Rovigo on 08/10/2022.
In 2021 I published the article “Theory And Practice Of Therapeutic Musical Scales” in the scientific journal OBM Integrative and Complementary Medicine / Lidsen Publishing Inc. and “Overtones Singing and Meditation”
In HSOA Journal of Alternative Complementary & Integrative Medicine.
In 2020 I participated in the “Pansodia” project of the University of Padua for the International Jazz Day.
In 2022 I participated in the 7th Conference of the International Association for Music and Medicine (IAMM) with the workshop “Overtones Singing and Meditation”.
In 2023 I held the workshop “Meeting with the Yoga of Sound” at the Alto Vicentino Music Therapy Study Center in Thiene (VI) and the workshop “Applications of Oriental Music Therapy Nada Yoga” at the Giovanni Ferrari School of Music Therapy in Padua.
Tupa Ruja
About me: From the meeting of Martina Lupi and Fabio Gagliardi was born the choice to create a new musical style: voice and didjeridoo. An unusual duet with sounds that are researched and essential at the same time, capable to evoke ancestral sensations; new sounds but also ancient like the roots of our ancestors. Their musical choice does not abandon its very particular origins: the Tupa Ruja in fact unites and the rhythm of the didjeridu, with the melodies and Italian texts, with the results of being the only group to propose and to carry forward such project. What characterizes them is their continuous artistic research; infact, whilst Fabio Gagliardi plays the didjeridoo, mostly utilizing his own unique techniques, and other ethnic musical instruments like the scacciapensieri (Jews harp), the harmonic flute, as well as different percussion combined with harmonic singing, Martina Lupi is able to compose evocative melodies that accompany texts composed by herself and she enriches the shows with her oriental dancing and fire juggling.
“Those who have the luck to communicate their passion through an art, whatever it be, must do so always by transmitting sincerely what they feel inside, without recounting what the rest of the world would like to hear, but saying exactly what they want to say”.
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Dall’ incontro tra Martina Lupi e Fabio Gagliardi nasce la scelta di creare un nuovo stile musicale: voce e didjeridu. Un duetto insolito con sonorità ricercate e allo stesso tempo essenziali che evocano ancestrali sensazioni; sonorità nuove per molti, ma antiche come le radici dei nostri antenati. La loro scelta musicale non verte ad abbandonare le proprie origini: i Tupa Ruja uniscono infatti al suono e al ritmo del didjeridu, melodie e testi inediti in italiano, risultando l’unico gruppo a proporre e portare avanti tale progetto. L’aspetto che particolarmente li caratterizza è la loro continua ricerca artistica; infatti, mentre Fabio Gagliardi suona il didjeridu utilizzando spesso tecniche da lui create ed altri strumenti etnici quali scacciapensieri, flauti armonici, varie percussioni e canto armonico, Martina Lupi compone melodie evocative che spesso accompagnano testi da lei scritti ed arricchisce gli spettacoli con danze mediorientali e giochi di fuoco.
“Chi ha la fortuna di poter comunicare la propria passione attraverso un’arte, qualunque essa sia, deve farlo sempre trasmettendo con sincerità quello che ha dentro, non raccontando ciò che il resto del mondo vorrebbe sentir dire, ma raccontando quel che realmente ha da dire”.
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