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SEDAA
About me: Sedaa means "voice" in Persian and connects traditional Mongolian music with the Orient which makes an extraordinary and fascinating sound.
Master singer Nasaa Nasanjargal and Naraa Naranbaatar who studied in their Mongolian homeland are very well known through their band Transmongolia. Together with the virtuosic Dulcimer player Ganzorig Davaakhuu and the Iranian Multi- instrumentalist Omid Bahadori they abduct you into one genuinely exotic world between Orient and Mongolian steppe.
The base of their modern composition is formed by natural sounds which are produced with traditional instruments and the use of old age song technologies of their nomadic ancestors with which a person produces several tones at the same time.
Vibrating undertone vocals and the amazing harmonic singing Hömii with the company of the melancholy sounds of the horse head violin Morin Khuur and the pearly sounds of the 120 strings hammered Dulcimer melt into the pulsating oriental drum rhythms to one mystical sound.
<hr/>If you are interested in any classes for Kargyraa (underton singing), Höömii (mong. overtone singing) and oriental Percussion or to get more information please email us: info@sedaamusic.com<hr/>
sylvia reich
About me: Starting to sing as a child, I have been touched by many musical influences all around the world. At the age of 10 I started to sing as solo alto voice in choir for classical church music. Then made band experiences as backing vocalsist with the range of ongoing western styles in the middle seventies.
Living with Beduins in the Sinai desert I was for the first time in touch with oriental rhytms and vocals. Immedialtey getting thrilled. During three years i stayed in India, Ihad the chance to study mantra singing and it´s healing dynamics at the temples of Pushkar.
Beeing thought in schamanic healing, I learned how voice is touching and transforming different human layers.
At the same time I started to work in several projects with Jazz, improvised music and world music. I was educated in trance dance and trance music. 1990 I started throat singing and overtone singing. I developed my voice, understanding it´s limitations, as connected with psychic barriers which I started to undo.
Beside my work as a singer, lyric writer and composer, I did art works with precious stones at power spots in nature and furniture to recover bodies and spirit. While doing for one Year precious stone covered seats in a cave in Mariposa, Tenerife, I could work with healing sounds on nature.
During the last years I have been involved in noumeros muscal projekts with other musicans and in studios. I am doing performances with mantra singing, sound journeys, overtones and a capella songs.
In my classes and work shops I am offering mantra singing, voice liberation, singing technique, and healing tunes.
Karen Grace
About me: I have been deeply moved by the meditative powers of overtone singing, from Tibetan deep chant, to the works of David Hykes and also have been majorly impressed with Michael Ormistons authentic grasp of Mongolian Khoomei singing. I work with singers using colour, toning, movement and awareness to encourage heartfelt expression, confidence and creativity.
I have used overtones on the title track of my album 'Metamorphosis' and on my healing meditation CD 'Healing Vibrations'.
I have written a paper called 'Colours We Sing' on how colour, sound and the voice are linked by the seven notes of the musical scale, the seven chakras, and the seven colours of the rainbow, and use these concepts in my workshops.
I am grateful to be part of this collective of very interesting people from around the world and wish you all lots of RAINBOWS of sound and colour. xxx Karen
Christian Bollmann
About me: Christian Bollmann is a musician, composer, multiinstrumentalist, overtonesinger, soundhealer, initiator of the peace-pool-project and teacher of music. He studied music education, jazz, and contemporary music in Cologne and holds his degree in musical education and composition. He has collaborated with Jon Cage, Karlheinz Stockhausen, Mauricio Kagel, Michael Vetter, Roberto Laneri, David Hykes, Keith Tippet, groups as BOURY, PADLT NOIDLT, JAZZHOUSE BIGBAND COLOGNE, and others.
He works as soloist, in duo and trio with various partners as Michael Reimann, Ufo Walter, Günter Müller, Chris Amrhein, Bernd Michael Sommer, Markus Stockhausen, Stefan Heidtmann, Willi Grimm (Swizerland), Aruna Sayeeram (India), Daniel Namkhai (Brasil), and is founder and director of the Overtone Choir of Düsseldorf. Since 1969 he has been involved with european overtone singing and works as a free-lance musician, composer, director, inventor (Bodyboxes, Aquaphone) and producer on various projects, exploring the healing power of sound. He has published 20 CDs with his own compositions yet and teaches worlwide.
Sage Pbbbt
About me: My singing practice takes inspiration from Tuvan and Mongolian overtone singing, Inuit throat singing, sound poetry and an ongoing exploration of extra-normal vocal technique.
I also take influence from industrial musick, trance, and drone; insight meditation practice, urban/industrial shamanism and chaos magick; feminist, queer and trans praxis; and Discordianism.
As a researcher, I have interests in feminist, queer and trans politics, intersectionality and ethical engagements with postmodern culture(s), with a focus on writing against normative narratives. A critical engagement with the ethics of performance, cultural appropriation and privilege form the core of my praxis. I use the moniker Sage Pbbbt for vocal performance work and my name Sage J Harlow for writing.
I recently complete my PhD entitled ‘Giving voice to the extra-normal self with the extra-normal voice: Improvised exploration through the realms of shamanic chaos magick, insight meditation and gender performance.’ You can read it here if you like.
Sometimes I play the drums. Sometimes I write pieces of musick.
Pronouns: she/her.
I recognise the Australian Aboriginal and Torres Strait Islander peoples as the first inhabitants of this country. I recognise the the Whadjuk people of the Noongar nation as the traditional custodians of the land where I live (Perth, Western Australia).
Martin Bläse
About me: I am a master of silversmithing and I forge resonating objects like singing bowls and gongs since 1993. Creating new overtone-instruments is my profession.
Ohne meinen Online-Übersetzer wäre ich total aufgeschmissen hier im Netzwerk
deshalb entschuldigt bitte meine manchmal etwas merkwürdige Ausdrucksweise.
Without my online translator I would be stuck here in the total network
So please excuse my sometimes rather odd expression.
Sin mi traductor en línea que se quedaban atascados aquí, en el total de la red
Así que pido disculpas por mi expresión a veces bastante extraño.
Ilma minu online tõlkija Oleksin ummikus siin kogu võrgu
Nii et palun vabandust mu mõnikord üsna kummaline väljend.
Iman Kamel
About me: I am a female independant filmmaker, born in Cairo and based in Berlin. Throughout my life I am exploring different disciplines and experiment with different mediums. The intention from our team is to create films that are authentic with protagonists from our daily life and to mute cinematographic poetical elements in the film. The music and the overtones came to me a little while ago during a time of change and trasformation and it is flowering now. I got a futujara from Max Brumberg and working with overtone singing with Miroslav Großer and in contact with David Hykes, as his work is very much near the fields I work in art, meditation, healing and inspiring.
Max Brumberg
About me: travelling overtone musician and flutemaker... out in the forests I feel home, making music for the spirits is my love and tunes me in..
nada brahma
Max Brumberg
is an overtone musician and flute builder. He specialises in building overtone flutes and fujaras, but also irish(low)whistles and doubleflutes. They are carefully handcrafted from woods such as Elder and Maple, the branches being carefully selected by his own hands from our forests.
His first contact with the didjeridoo was in 1995, inspired by it's sound he delved deeper into harmonics and sound. His love of nature led him to travel with his sound and music to interesting power-places and he developed an intuitive improvisational playing style with the harmonics as a channel for the inaudible existing.
His repertoire of overtone instruments soon widened to encompass voice and flutes, mouthharp, singing bowls, gongs and more. At the moment he is experimenting in the playing and building of bagpipes and various other flutes and instruments.
Giving seminars and travelling with his instruments and music Max Brumberg desires to reconnect people to nature and themselves through intuitive overtone music. The world is sound, the natural harmonies of the overtone scale is the ancient matrix we find everywhere in nature and the cosmos, the (tone) ladder to ourselves and our roots..
Max Bumberg
ist Obertonmusiker und Floetenbauer. Sein Spezialgebiet sind Obertonfloeten und Fujaras, aber auch Irish (Low) Whistles und Doppelfloeten. Sie werden in feiner sorgfaeltiger Handarbeit meist aus Holunder aber auch aus anderen selbst im Wald gesuchten Hoelzern gebaut.
1995 war sein erster Kontakt mit dem Didjeridu, fortan beschaeftigte er sich mit Obertoenen und Klang(wirkung). Da er schon immer die Natur und besondere Orte in ihr liebte, begann er mit Klang zu Kraftorten zu reisen. Diese auf sich wirken lassend entwickelte er ein intuitiv improvisiertes Spiel mit Obertoenen als Kanal fuer das unhoerbare vorhandene.
Das Repertoir an (Oberton)Instrumenten hat sich seitdem um viele klangvolle erweitert, schon bald kamen Stimme und Floeten dazu, Maultrommel, Klangschalen, Gongs u.A., im Moment experimentiert er mit Spiel und Bau von Dudelsaecken und anderen Floeten und Instrumenten.
Max Brumberg ist es ein grosses Anliegen Menschen, durch Seminare in der Natur und durch Begegnungen, ueber intuitive Obertonmusik mit ihrer eigenen und der Natur wiederzuverbinden. Die Welt ist Klang und die natuerlichen Harmonien der Obertonmusik sind das Urmuster welches wir ueberall in Natur und Kosmos wiederfinden, die (Ton)Leiter zu uns und unseren Wurzeln.
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<a href="http://www.overtone-flute.com"><img src="http://www.overtone-flute.com/pics/banner/Banner_Max_Brumberg.jpg" title="Overtone-Flute.com"/></a>
Nancy "Kaasay" Watters
About me: Kaasay's enthusiasm for making music with others is infectious. She is a trained vocalist known for her angelic overtone chanting that blends seamlessly with crystal singing bowls. Her artistic soundscapes have been described as “otherworldly”. They consistently shift people into relaxed states of consciousness normally only accomplished through years of meditation. She is masterful at helping people use sound to connect with their deepest dreams and take flight with renewed enthusiasm.
Kaasay says, “I am passionate about sound and music! It is so beautifully, powerfully healing. The soothing vibrations of the luminous crystal bowls have helped me overcome many significant life challenges. Singing with these bowls has been like coming home. I love helping others achieve vibrant wellness this way. Over and over, I see how crystal singing bowls help them activate the health, love, compassion, gratitude and courage within."
In 2005, Kaasay launched Luminous Tones Music to promote "Music for Health and Harmony". For years, she traveled widely leading singing workshops. She also produced two CDs that include her original music, and several music videos.
Since 2014 she has given more than 100 free crystal bowl "concerts" to the community. She's honed her sound therapy skills by working with cancer patients, pain patients, yoga students, young children, meditation groups, disabled adults, and the general public. Her sound healing work builds on 30 years of teaching and human service work in schools, universities and mental health clinics. She is a Registered Clinical Counsellor (MA, RCC) and Reiki Master who has been in private practice since 2010.
Kaasay created and teaches a 3-day sound therapy training program held twice a year.
Michael Ormiston
About me: Michael Ormiston has been composing, performing, teaching and writing about music for many years. He is a multi-instrumentalist and is currently involved as a solo performer, in a duo with Candida Valentino and a member of Miraca, Boundless, Hyperyak, Mysterious Tremendum, Praying for the Rain music groups. His original compositions have been used on TV (BBC and Channel 4), Theatre (Theatre de Complicite), Dance (Ballet Frankfurt, Spiral Dance) and performance (London Jazz Festival). His throat singing has been used on Hollywood Films (The Golden Compass, We Were Soldiers), and TV (BBC’s acclaimed series Planet Earth, Last of the Medicine Men). He has performed globally including for His Holiness The Dalai Lama. Michael is also a radio programme researcher, writer and presenter, a traditional music reviewer (Songlines magazine), a workshop leader, teacher and researcher in Mongolian music. He is one of the principal workshop leaders and performers of Eye-Music’s Colourscape.
Michael specializes in Mongolian Khöömii (overtone) singing, being one of the only non-Mongolians able to sing Khöömii. He has been studying Khöömii since 1988, attending lectures by Dr Carole Pegg (Cambridge University), Tran Quang Hai (Muse de l’homme, Paris) and Dr Alan Dejaques (Lille University). He has travelled to Mongolia six times (1993/94/97/2000/05/6) where he studied Khöömii with Tserendavaa, Gereltsogt, Ganbold, Sengedorj, Tsogtbaatar, the “Cream” of Mongolia’s Khöömii singers. In 1994 Michael was given the blessing by Gereltsogt to teach the basic practices of Khöömii Singing. Since then he has given workshops, lectures and individual lessons worldwide and in the summer of 2002 Candida and Michael toured Europe with Tserendavaa who gave both of them his blessing to teach the basics of Mongolian Khöömii. In 2006 Michael was invited to perform in Mongolia with Mongolian throat singers as part of the 800th anniversary of the declaration of the Mongolian Empire.
Michael has facilitated Khöömii and Overtone singing workshops in the U.S and Europe including at the School of Oriental and African Studies (SOAS), London, Greenwich University, London, The Giving Voice Festival (Wales), Gaunts House, Dorset, The New Life Centre, New York, Ballet Frankfurt, Germany, The Centre of Intercultural Harmony, Ascona, Switzerland, Trinity College Dublin with the Temenos Project, Alternatives, St James Church, London, The Eden Project, Cornwall, England
For the past thirteen years Michael has led workshops, evenings and therapy sessions in Relaxation, Meditation and Deep Listening using Tibetan Singing Bowls, ever since Khamba Lam Choijampts, the head Abbot of Ganden Monastery, Ulaanbaatar, Mongolia heard Michael playing them.
Michael has recorded many acclaimed CD’s please click for more information
Or visit myspace pages
http://www.myspace.com/michaelormiston23
http://www.myspace.com/radiantvoyages
Michael has a rare collection of Mongolian instruments including the Morin Khuur, Tobshuur, Tömör Khuur, Khulsan Khuur, Limbe, Yatag, Tsuur. Among the other instruments he plays are, Tibetan Singing Bowls, Symphonic Gongs, Saz (Turkish long necked lute), Flat backed Bouzouki, Ney (Turkish end blown flute), Jew’s harps, Live electronics……
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